Creative Australia Talk: ๐—ก๐—ผ ๐—ฆ๐—ถ๐—ป๐—ด๐—น๐—ฒ ๐—™๐—ถ๐˜…: ๐—จ๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜€๐˜๐—ฎ๐—ป๐—ฑ๐—ถ๐—ป๐—ด ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฃ๐—ฟ๐—ผ๐˜๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ณ๐—ผ๐—ฟ ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ช๐—ผ๐—ฟ๐—ธ๐˜€

Most creators say they want protection from AI, yet a recent UK survey found over 90% would not opt out of AI access to their work. Why? Todayโ€™s visibility depends on online discovery and search, and those systems are powered by AI. If you opt out, your work may be safe from AI training, but it also risks becoming invisible. That dilemma, and our solutions, lie at the heart of my talk at Creative Australia.

I walked through through, at a high level suitable for a general audience, many of the main protection mechanisms across the creativeโ€“AI lifecycle, such as watermarking, fingerprinting, provenance tagging, unlearning and unlearnable work, and integrity detection. Each technique offers partial protection but also trade-offs in discoverability, privacy, and creative flexibility. Some safeguards can be bypassed cheaply, but still act as deterrents by leaving forensic traces when removed. The key is not choosing one fix but designing combinations that balance technical feasibility, effectiveness, and creative freedom.

Scientists, creators, government and industry can work together to rigorously test how well each method works, what are the trade-offs, and how these systems can reflect the values of creators and the broader Australian community. At CSIRO’s Data61, weโ€™re committed to ensuring techniques are rigorously evaluated, continually improved, and that ๐˜€๐˜๐—ฎ๐—ธ๐—ฒ๐—ต๐—ผ๐—น๐—ฑ๐—ฒ๐—ฟ-๐—ฑ๐—ฒ๐—ฐ๐—ถ๐—ฑ๐—ฒ๐—ฑ trade-offs are visible and built into system design from the start.

๐—ง๐—ถ๐˜๐—น๐—ฒ:ย ๐—ก๐—ผ ๐—ฆ๐—ถ๐—ป๐—ด๐—น๐—ฒ ๐—™๐—ถ๐˜…: ๐—จ๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜€๐˜๐—ฎ๐—ป๐—ฑ๐—ถ๐—ป๐—ด ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฃ๐—ฟ๐—ผ๐˜๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ณ๐—ผ๐—ฟ ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ช๐—ผ๐—ฟ๐—ธ๐˜€
๐—›๐—ผ๐˜€๐˜: Nicola Grayson, Head of Public Affairs, Creative Australia
๐—š๐˜‚๐—ฒ๐˜€๐˜ ๐—ฆ๐—ฝ๐—ฒ๐—ฎ๐—ธ๐—ฒ๐—ฟ:ย Dr Liming Zhu, CSIROโ€™s Data61
๐——๐—ฎ๐˜๐—ฒ:ย ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜† ๐Ÿฎ๐Ÿฌ ๐—ก๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ
๐—ง๐—ถ๐—บ๐—ฒ:ย ๐Ÿญ๐Ÿฎ-๐Ÿญ๐—ฝ๐—บ (๐—”๐—˜๐——๐—ง)

Slides: https://www.dropbox.com/scl/fi/w4rtl9kcrssruthmrd7o4/20251120-Creative-Australia.pdf?rlkey=na6s16bvgl7wl3ngf608rze9i&dl=0

By Sarah Firth – Original here https://www.linkedin.com/posts/sarahthefirth_graphicrecording-visualnotes-illustratednotes-activity-7397111216458014720-anpa


About Me


About me – According to AI

Director/Head of CSIRO’s Data61
Conjoint Professor, CSE UNSW

For other roles, see LinkedIn & Professional activities.

If you’d like to invite me to give a talk, please see here & email liming.zhu@data61.csiro.au

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